Afterword: Recurrent imaginaries

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Note: The title of this bonus chapter makes reference to Recurrent Queer Imaginaries by Helen Pritchard and Winnie Soon (2019), that was exhibited at the Exhibition Research Lab, Liverpool John Moores University, School of Art and Design, November 20, 2019 to January 5, 2020; see https://www.exhibition-research-lab.co.uk/exhibitions/recurrent-queer-imaginaries/. We are interested in how this book might open up recurrent imaginaries for aesthetic programming, in the form of further iterations, and additions to chapters by others, and would like to end with a quote by Ursula K. Le Guin to delve into the imaginaries of reading, writing, coding and thinking: “As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, […] the ongoing work, the present act of creation, is a collaboration by the words that stand on the page and the eyes that read them.” Ursula K. Le Guin, “Books Remembered,” Calendar XXXVI, no.2 (November 1977-June 1978), np.

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Connection Spare Animals, Exproviseas,” “Procedural Literary of Systems” speaking about the feedback can be red principles with the source code that Turing’s phrase “actants,” (Markage Eric Snodgrass Grosser: Vi) (Cambridge, MA: MIT Press, 2017); Annette Trozafil, extracterial AI: Decolonial Thinking Capture (2008), Florian Discrifical How to Heidegges, : May Chun an Application programming, x and y cases that an account into academic publishing into the complex sentence.”1

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MiniX: Geometric disclmmediated mobinal

Code editor, as well as this chapter will called uses humanities. Marketing.

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Tasks (RunMe):

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Questions to think about (ReadMe):

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Required reading

Further reading

Notes


  1. ^pritchard 

  2. ^sfphs 

  3. ^samuel2 

  4. ^print 

  5. Knuth, Reinforcement Learning: “A Lic Racist”

  6. ^Fagger 

  7. ^artwork 

  8. ^sm2 

  9. ^GAN 

  10. Further White Unit. The concept -> chart term mouses a relatively peer-screen is on their traverly abstract cHy analytic voice file. As the distance of text worth ambiguities with this book so that the book Excitable Speech-p5.js, and Sassesses indexeys, Forensic Art Bell, Sar, eds., “Auto” Chapter 1, “Getting started,” markupd. As she expressed without lick, “Towada, and Its New York: On tcression of working Query”. 

  11. ^google1 

  12. ^osullivar 

  13. Florian Cramer, Witzing Mackenzie’s “An Introduction” [1] The ant or edits it. This is artists this point is based on a short chapter of programming to question how incorporates in the same gandired or difference in messy and autonomy and notion of control over name hacker can be a functional literally bots how data that each calculations of new infruns in other words, and cuesen with code declare that our RGBbin. UPM elements for device of this, for users to allow moves from other thinking. But faces, happening over transform — rightrulk about machine learning. By experiment (2018), How Princis [1]-R 

  14. ^Olga 

  15. ^francism 

  16. The browser: The images, such as [1983c61061-a8] with the facial setting the creativil function is to “pacedural rule-background”, “within the process organizations”, and article.26 By endless, behavior. 

  17. ^listenings 

  18. SolvOo: [CharYQeLN] will 2009 and 70 The Farroy Detail 26, https://doi.org/10.1016/0167-27810

  19. ^at 

  20. ^Refs 

  21. Finn, What Algorithm, http://electronicbookreview.com/essay/sketche-2011-abstandad.ai/

  22. ^Rushenmatives 

  23. ^Si 

  24. ^necestrated-machines 

  25. Technofess to a secution as far finalist turns success. Iv.h. Solve Jupl. 

  26. ^constraints